Benoit Delhomme
Director of photography
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Press
American Cinematographer / 1408
July 2007
1408, shot by Benoit Delhomme, AFC, traps a horror author in a haunted hotel room. by Mark Hope-Jones
Film & Video / Benoit Delhomme
December 2006
Benoit Delhomme on Shooting the City at Night No Big Lamps, No Zoom Lenses, and a Near-Documentary Style For Anthony Minghella's Breaking and Entering By Bryant Frazer
American Cinematographer / The Proposition
April 2006
The Proposition, shot by Benoit Delhomme, AFC, presents a period tale in the brutal Australian outback. by Patricia Thomson
British Cinematographer / The Merchant Of Venice
March 2005
Lighting The Merchant Of Venice
American Cinematographer / The Merchant Of Venice
December 2004
Shakespeare Returns to Venice by John Calhoun
MovieMaker / Benoit Delhomme
February 2002
Benoit Delhomme discusses his work on Ming-liang Tsai's What Time is it Over There? by Phillip Williams
American Cinematographer / What Time Is It There ?
January 2002
Composing with Color by Bob Davis
New York Times / Benoit Delhomme
November 1999
FILM; A Risk-Taking Perfectionist Behind the Camera By Laura Winters
American Cinematographer / The Winslow Boy
August 1999
To the Manor Born by Eric Rudolph
American Cinematographer / The Loss Of Innocence
March 1999
Sundance'99: A Cooler Climate
American Cinematographer / Cyclo
August 1996
Director Tran Ahn-Hung and cinematographer Benoit Delhomme, AFC traverse the frantic streets of Vietnam's Ho Chi Minh City in Cycli. by Andrew 0. Thompson
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